Review
Run Lola Run
- Director
- Tom Tykwer
- Year
- 1998
- Rating

- Reviewed by
- a.k.a. Jacinda
- Review date
- Thursday, November 22, 2001
I used to be very disappointed by German cinema. Once there were big names like Fritz Lang or Ernst Lubitsch. I thought German cinema had lost its spark forever. Tom Tykwer has proven me wrong. Without doubt, Run Lola Run is the best German movie in decades - as passionate, innovative and ingenious as films can get.
Set in Berlin, Manni (Moritz Bleibtreu) looses 100.000 Deutsch Marks that he had to take care of for his criminal boss. In this desperate situation, he makes a phone call to his girlfriend Lola (Franka Potente) telling her he is a dead man. Lola doesn’t give up though and decides to do everything she can to save Manni. She has to get 100.000DM in twenty minutes. Lola runs against time - and against fate.
What starts as an almost conventional movie, soon turns out to be a pure gem filled with intriguing ideas. Animated sequences are part of the action. Entire lives are told in several fast shots. The score takes on an important role. It melts with the images. I can’t think of the movie without associating the score with it – and vice versa. In my opinion, this is the best one can achieve. The soundtrack is as hip and fast as the movie itself.
After the first 20 minutes, one thing is clear. Lola is not willing to give in to her fate. Another two episodes follow in which fate will decide if Lola and Manni get out alive. The way of telling the story in these episodes is nothing completely new. Still I had not seen anything like this before. And the “what if” question raised in Run Lola Run has certainly inspired many movies to follow. In this regard, the movie is highly philosophical. Does fate really decide about the things that happen to us? Or are we the ones to choose our own fates? Tom Tykwer certainly supports the second thesis.
His lead character Lola is so powerful and determined that she can mix up space and time. She is not a superhero, but a normal woman who fights for her love. I think the movie has become such a huge success because of this universal theme and the way you can identify with Lola. Franka Potente proves herself to be an extremely talented actress. I am sure this is only the beginning of a very successful career to come. Moritz Bleibtreu makes a great second lead, while the cast of supporting actors and actresses is good as well.
Run Lola Run combines a unique way of storytelling with fascinating visuals - above all Lola’s red hair, her looks and the city of Berlin. Its editing is excellent. Tom Tykwer’s vision of love that surpasses all boundaries is a powerful tour-de-force of great depths. Truly remarkable and one-of-a-kind, Run Lola Run is a modern classic.
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Comments
Groucho wrote at 9/17/2002 1:29:29 AM:
Well, thanks very much for the review, Jacinda. My thoughts, however, are more like Morris'. I think this movie is visually striking and has so many original ideas that it can't be called other than brilliant in the technical department. However, the story didn't add much to it, and it even tired me after a while to watch different versions of the same thing. The differences were huge all right, but the story wasn't that absorbing or the characters that endearing. The experience was kinda shallow for me but still I wouldn't choose to not have seen it if my own story was told in different ways, because the experience was definitely entertaining.New comments are temporarily disabled
Morris wrote at 6/22/2002:
I can only agree on some of the facts Jacinda states in her wonderful review. This is a one-of-a-kind movie. Extremelly original in everything it tries to tell or achieve. It's also got a winning visual style. The movie is fast and Franka is amazing! I love her!But then there are others things I didn't like about the movie. I remember when I saw it a couple of years ago and the movie was over and I had had fun, but overall I thought it hadn't added up to much of anything. I couldn't stop thinking: "So what?".
Still, I'm glad it became an international success. So much for German cinema!!!